OS ESPETÁCULOS JUNINOS “O DIVINO SOU EU” E “MEU SOBRENOME É BABAÇU” COMO MEDIADORES SOCIAIS E CULTURAIS DAS ARTES DA CENA: Dimensões culturais e sociais na relação entre o espetáculo cênico e o público

Abstract

This research seeks to understand how a stylised June gang show is conceived, put together and exhibited. The main focus of this work is to analyse how the June shows "O Divino Sou Eu" and "Meu Sobrenome é Babaçu", reflecting as spectacles, can become cultural mediators for the spectator based on the relationship between the community of Açailândia-MA and the Flor de Mandacaru quadrille. Also, how culture can act in a transformative way in the social life of all those involved, artists and community. In order to understand the main elements of mediation, the show in question will be the direct object of this research throughout its process of creation, elaboration and execution through the quadrilha's study laboratories. In this research, we will dialogue with the works of authors such as: Claudio Cajaíba (2013) Michelle Nascimento Cabral (2017), Nicholas Bourrioud (2009), Samuel Ribeiro Zaratim (2020), among others. Therefore, this work intends to investigate how the scenic processes are within the rehearsals and meetings, the locus of the investigation will be the Associação Cultura Flor de Mandacaru and the object of research the shows: O Divino Sou Eu and Meu Sobrenome é Babaçu, as already mentioned.